Islamic Art Biography
Source:- Google.com.pkThe fifth biennial Hamad bin Khalifa Symposium on Islamic Art, God Is the Light of the Heavens and the Earth: Light in Islamic Art and Culture, will be held November 9-11, 2013 in Palermo, Sicily.
The Hamad bin Khalifa biennial symposia are designed to address major themes in Islamic art and culture. Past symposia have focused on such subjects as water, color, and the art of the object. The 2013 symposium will investigate the topic of light from a wide range of perspectives, from the imagery of light in the Qur’an and in the literatures of the Islamic lands to light’s role in buildings, paintings, and other works of art. We are delighted that our keynote speaker will be the acclaimed visual artist, Iranian-born Shirin Neshat, whose photographic and videographic work is literally created with light.
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01
Nov
Symposium Day 2
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Day two of the fourth biennial Hamad bin Khalifa Symposium on Islamic Art is currently underway in Doha, Qatar at the Museum of Islamic Art, designed by I.M. Pei, where twelve speakers are discussing specific objects in the Museum’s collection.
The title of this Symposium is God Is Beautiful; He Loves Beauty: The Object in Islamic Art and Culture, and the keynote address was given by Paul Goldberger, the Pulitzer Prize-winning author for The New Yorker, who discussed the Museum building as a work of Islamic art.
The following speakers read their papers today:
Rachel Ward: The Doha Bucket and an Experimental Glass Workshop(to be read by Jonathan Bloom)
Michael Franses: New Light on Early Anatolian Animal Carpets
Mohamed Zakariya: Murakkaa: The Ottoman Calligraphic Album and Its Role in Establishing the International Style
John Seyller: Assembled Beauty: Five Folios from the Jahangir Album
Eleanor Sims: 17th-Century Safavid Persian Oil Paintings in the Museum of Islamic Art
31
Oct
Symposium Day 1
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Day one of the fourth biennial Hamad bin Khalifa Symposium on Islamic Art is currently underway in Doha, Qatar at the Museum of Islamic Art, designed by I.M. Pei, where twelve speakers are discussing specific objects in the Museum’s collection.
The title of this Symposium is God Is Beautiful; He Loves Beauty: The Object in Islamic Art and Culture, and the keynote address was given by Paul Goldberger, the Pulitzer Prize-winning author for The New Yorker, who discussed the Museum building as a work of Islamic art.
The following speakers read their papers today:
François Déroche: Of Volume and Skins
Julia Gonnella: The Stucco of Samarra
Antonio Vallejo Triano: Architectural Decoration in the Umayyad Caliphate of al-Andalus: The example of Madinat al-Zahra
Emilie Savage-Smith: The Stars in the Bright Sky: The Most Authoritative Copy of ‘Abd al-Rahman al-Sufi’s 10th-century Guide to the Constellations
Ruba Kana’an: A Biography of a 13th-century Brass Ewer: the Social and Economic Lives of Mosul Metalwork
Kjeld von Folsach: As Precious as Gold – Some Woven Textiles from the Mongol Period
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Here are images from today’s events:
Images © Markus Elblaus, VCUQatar
30
Oct
Opening Ceremony & Keynote Discussion
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The fourth biennial Hamad bin Khalifa Symposium on Islamic Art is currently underway in Doha, Qatar at the Museum of Islamic Art, designed by I.M. Pei, where twelve speakers are discussing specific objects in the Museum’s collection.
The title of this Symposium is God Is Beautiful; He Loves Beauty: The Object in Islamic Art and Culture, and the keynote address was given by Paul Goldberger, the Pulitzer Prize-winning author for The New Yorker, who discussed the Museum building as a work of Islamic art.
20
Oct
October Newsletter
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Greetings, and welcome to the final e-newsletter of the Fourth Biennial Hamad bin Khalifa Symposium, God Is Beautiful; He Loves Beauty: The Object in Islamic Art and Culture, to be held at the Museum of Islamic Art, designed by I.M. Pei, October 29-31, 2011 in Doha, Qatar.
Paul Goldberger, the Architecture Critic for The New Yorker and the Joseph Urban Chair in Design and Architecture at The New School in New York City, will give the keynote address on Saturday, October 29 at 6pm at the Museum. It is titled, Islamic Architecture, Modernism, and I.M. Pei: The Challenge of the Museum of Islamic Art, and promises to be an incisive look at the architecture of the museum and its relationship to both modernism and to traditional Islamic architecture. On October 30 and 31, twelve speakers will present original papers on objects held by the Museum of Islamic Art, spanning the principal media, periods and regions of Islamic art from its origins to the present. Please see the Symposium schedule for a complete list of speakers’ names and paper summaries.
One of our speakers, the famed calligrapher Mohamed Zakariya, will also be the subject of an exhibition at the Museum of Islamic Art during the Symposium. An Eloquent Eye: Recent Works by Mohamed Zakariya, will run from October 24, 2011 through January 13, 2012. Mr. Zakariya has also created a new design for the Eid Greetings stamp, issued by the U.S. Postal Service this past August (see his 2009 design here). Symposium attendees will have a tremendous opportunity to hear Mr. Zakariya give a presentation on the history of Ottoman calligraphy, and then see his recent work in the Museum galleries.
If you do intend to come to the Symposium, please remember that registration is free and open to the public, but space is limited so early registration is suggested. As always, please feel free to direct any questions or comments to me at the below email address (please do not respond to this address as it is for outgoing communication only). And thanks again to our sponsors, VCU School of the Arts, VCUQatar, the Qatar Foundation, the Qatar Museums Authority and the Museum of Islamic Art for the generous funding that makes this Symposium possible.
Best Wishes,
Marisa Angell Brown
Coordinator
Hamad bin Khalifa Symposium on Islamic Art
mabrown@vcu.edu
15
Jul
July Newsletter
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Greetings, and welcome to the fifth e-newsletter of the Fourth Biennial Hamad bin Khalifa Symposium, God Is Beautiful; He Loves Beauty: The Object in Islamic Art and Culture, to be held at the Museum of Islamic Art (designed by I.M. Pei) October 29-31, 2011 in Doha, Qatar.
We received approximately 200 fellowship applications for the 20 available Hamad bin Khalifa Travel Fellowships, which cover the cost of round-trip travel to Doha as well as lodging and meals during the Symposium. We’re happy to announce that the following applicants have been awarded travel fellowships:
Abdul Lateef Usta, conservator, Rajasthan, India;
Adel Adamova, curator of Islamic Art in the Oriental Department of the State Hermitage Museum, St.Petersburg, Russia
Ahmed Wahby, Lecturer, The German University in Cairo;
Alexandra Van Puyvelde, museologist and scientific collaborator at the Royal Museums of Art and History in Brussels;
Elizabeth Ettinghausen, Independent Scholar, Princeton, New Jersey;
Emily Neumeier, PhD candidate in the Department of the History of Art at the University of Pennsylvania;
Fernando Martinez-Nespral, Professor of the History of Architecture and Associate Professor of Islamic and Mudejar Art at the University of Buenos Aires´s School of Architecture;
Filiz Yenisehirlioglu, Faculty of Fine Arts, Başkent University, Turkey;
Khaled Tadmori, Assistant Professor, Faculty of Fine Arts and Architecture, Lebanese University;
Laura Parodi, Fellow, Aga Khan Program for Islamic Architecture, MIT and Harvard University;
Mahnaz Shayestehfar, Faculty of Art, Tarbiat Modarres University, Iran;
Nourane Ben Azzouna, Assistant Curator, Louvre Abu Dhabi;
Peter Wandel, Assistant Curator, The David Collection, Copenhagen;
Rebecca Bridgman, Curator of the Islamic Pottery collection, The Fitzwilliam Museum, University of Cambridge;
Said Ennahid, Associate Professor, Al Akhawayn University, Ifrane, Morocco;
Sandra Aube, Postdoctoral Researcher and Lecturer on Islamic Art;
Simon O’Meara, material culture research fellow of the European Research Council-funded project, “The Here and the Hereafter in Islamic Traditions,” hosted by the University of Utrecht;
Simon Rettig, Fellow at the Freie Universität Berlin in the research project Kosmos/Ornatus. Ornamente als Erkenntnisformen Persien und Frankreich im Vergleich;
Vivienne Angeles, Associate Professor of Religion, La Salle University, Philadelphia.
Wafaa Zeinalabidin, Lecturer, University of Mosul, Iraq.
The Fellows make up an impressive cross-section of scholars and curators in the field of Islamic art and culture and will no doubt add tremendously to the Symposium.
We hope that you will be able to attend the Symposium in October as well. To see updated information on the speakers and their paper topics, please visit our website, www.islamicartdoha.org. And please remember that registration is free and open to the public, but space is limited so early registration is suggested. As always, please feel free to direct any questions or comments to me at the below email address (please do not respond to this address as it is for outgoing communication only).
And thanks again to our sponsors, VCU School of the Arts, VCUQatar, the Qatar Foundation, the Qatar Museums Authority and the Museum of Islamic Art for the generous funding that makes this Symposium – and the fellowships – possible.
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